Selection of images from the ongoing documentary project on the changing notions of Eastern European identity, titled Notes for an Epilogue, by Hungarian photographer Tamas Dezso.
Images from the on going extensive renovation of the Royal Museum for Central Africa, in Tervuren Belgium.
According to RMCA‘s website, their collection includes 10,000,000 animals from Aftica’s wildlife.
En attendant les barbares poem by Constantin Cavafis (en/fr/gr) here
Selection from the photography projects Little World, Women in Water, Themselves and Naked Nylon, by Lithuanian- Berlin based artist Julija Goyd.
Antarctic landscapes from the Age of Heroic Antarctic Exploration, by British photographer Herbert Ponting, member of the fatal Terra Nova Expedition led in 1910-1913 by Captain Scott.
As the expedition photographer and cinematographer, the self-taught Ponting, manage to set up a tiny photographic darkroom in Antartica, inside the expedition’s winter camp. Although this came more than 20 years after the invention of photographic film, Ponting preferred high-quality images taken on glass plates (source).
He return to civilization in 1912 -before the catastrophic end of the Terra Nova Expedition- with more than 1700 large-format glass plate negatives.
Aerial views of sunken highways and industrial structures, taken along the artificially engineered St. Lawrence Seaway -a borderland hydrological project in the international margin between Canada and the United States- part of the project Sunken Villages by Canadian photographer Louis Helbig.
As Helbig explains on his well organized website:
July 1, 1958, is remembered as Inundation Day in the region near Cornwall, Ontario. At 08:00 a controlled explosion tore open a cofferdam and four days later an area that had been home to 7,500 people disappeared under the waves of Lake St. Lawrence, part of the newly created St. Lawrence Seaway.
On the Canadian side, twelve communities, some dating back to the 1700s, were affected. Following the old King’s Highway No. 2, upstream: Maple Grove, Mille Roches, Moulinette, Sheeks Island, Wales, Dickinson’s Landing, Farran’s Point and Aultsville were entirely destroyed; Iroquis was demolished and moved a mile to continue on in name; and, about half of Morrisburg–including its waterfront and most of its business district and main street–were levelled.
(..) On both sides, large rural tracts and property, farms, cottages, and entire islands were flooded. Sacred sites were obliterated and the historic battlefield of Crysler’s farm–where in November 1813 Redcoats, local militia and Mohawk warriors staved off a larger American force intent on sacking Montreal—disappeared.
With the communities went their infrastructure. Some buildings were moved and some graves exhumed. Roads, railways, and bridges were left to be buried along with the previous system of locks and canals. All else was levelled, razed to the foundations, cut to the stumps, burned and bulldozed.
For more context and history, including interviews with local residents pushed out by the rising waters, click through to the Sunken Villages website
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WWT’s previous posts on transformed landscapes by: